Packaging


A Sweetly Rounded Sans And Script Family From LatinoType: Aromática

A decade into its existence, LatinoType has firmly established itself as one of Chile’s most notable digital type foundries. The foundry has earned a solid reputation for crafting type designs that hit every high note: exceptional functionality, fluid versatility, and strong aesthetics, while meeting the needs of graphic designers around the world. Miguel Hernández, Luciano…


A Dynamic Slab Serif From Connary Fagan: Visby Slab CF

Connary Fagan has really created a name for himself in the field of typography, a well-earned status if his portfolio is anything to go by. A graphic designer and typographer with a solid background in identity, branding, art direction, and illustration, Connary has a deep understanding of the role that typography plays in quality graphic…


Clear Legibility In A Sans Serif From Kostic Type Foundry: Altivo

Kostic Type Foundry is a small, family-owned type foundry in Belgrade, Serbia. Zoran Kostic and his son, Nikola, have been working side-by-side since 2010, when Nikola made the commitment to follow in his father’s footsteps and pursue typography. Zoran had worked on his first font back in 1987, designing a Cyrillic letter set during a…





Celebrating Two Centuries Of Sans Serif Typefaces: Brother 1816

When Vicente Lamónaca, Fernando Diaz, and Martin Sommaruga made the decision to quit their graphic design jobs to establish a type foundry, they leapt into the new endeavor with both feet (and perhaps a little trepidation). It was certainly a bold move, but it seems the best decisions usually are — you just never know…


Sticky-Sweet With A Touch Of Grunge: YWFT Watermelon

When we were kids, there was no candy in the world that was “bad” candy. It was all glorious. A lost and unwrapped Jolly Rancher or Laffy Taffy that fell between the couch cushions, one that mingled with the crumbs of the Goldfish crackers we ate a month before, was still “okay” to eat because it was…

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